An ultrawide lens (anything below 24 mm in 35 mm equivalent format) can provide a sweeping view of an open landscape, but I also find it important for crowded forest and tree covered environments.
The widest rectilinear lens I own is an 11 mm lens by Irix and it is an excellent lens, but these pictures are made with other lenses. They are landscapes I made while testing an ultra wide 11 mm lens by Venus Optics on my Z7 alongside a 12 mm Samyang fisheye lens. I no longer own either lens but the photos I made that afternoon are good representatives of what can be done with these optics.
One thing I sometimes dislike about ultra wide rectilinear lenses is that elements in the corners of the image can look too stretched, like sucked into the frame. Because of this, I sometimes actually prefer using a fisheye lens: when used carefully, one can can hide the strong deformation we associate with their extreme projection. By keeping the horizon near the center of the frame, it remains straight on a fisheye lens image. In other cases, the image can be reprojected (defished as some people call it) to avoid the curved corners.
You can be the judge now and decide if this approach works as I really wanted to include nearby elements from a restricted point of view: I was literally shooting from a barbed-wire fence in all the photos I show here.
Have you tried using fisheye lenses for landscape photos?
After seeing, and taking, many snapshots of the water on a sunny, tropical beach it is not difficult to notice that the water always looks frozen and the movement and intensity of the moment is missing.
A mountainous, tropical country like Costa Rica is bound to have plenty of waterfalls. This is the second part of my previous post: mountain river, waterfalls and lush tropical vegetation with great weather.
Going through old slide film scans, or even the original slides is always a rediscovering adventure. Ektachrome’s grain and Velvia’s contrast look very different from today’s clean 36 MP images… Continue reading Slide Film Years, Revisited→
I live in the Pacific Rim of Fire so it is no surprise that eventually ash is going to fall from the sky, like it has been on and off for the last two years: small amounts luckily. This has consequences for photography of course. Continue reading The volcano and indoor photos→
Writings about the art and technique of photography. Mostly with Nikon and Olympus equipment.